In her own words...
Women artists. There is no such thing—or person. It’s just as much a contradiction in terms as “man artist” or “elephant artist.” You may be a woman and you may be an artist; but the one is a given and the other is you.
– Dorothea Tanning, 1990
"Dorothea Tanning: Behind the Door, Another Invisible Door," a major survey of the artist's career, is on view at the Museo Nacional Centro de Arte Reina Sofía, Madrid through January 7, 2019, and will then travel to Tate Modern, London, February 26 - June 9, 2019. It's accompanied by a full catalogue published in Spanish and English. Among over 150 works featured in this exhibition is the installation piece Hôtel du Pavot, Chambre 202 (Poppy Hotel, Room 202) (1970-73).
"Virginia Woolf: An Exhibition Inspired by Her Writings" is at The Fitzwilliam Museum, Cambridge through December 9, 2018. The exhibition considering feminist perspectives on landscape, domesticity, and identity in modern and contemporary art through the lens of Woolf's writings, and includes the painting Agripedium vorax Saccherii (Clog Herb) (1997)
"Modern Couples: Art, Intimacy and the Avant-garde" is on view at London's Barbican Art Gallery through January 27, 2019. The exhibition features the paintings Rapture (1944).
“Dimensionism: Modern Art in the Age of Einstein,” has opened at Berkeley Art Museum and Pacific Film Archive through March 3, 2019. Organized with the Mead Art Museum, Amherst, where it will be on view March 28 - June 2, 2019, the exhibition includes the painting Midi et demi (Half Past Noon) (1956-57).
The Menil Collection, Houston, will celebrate new acquisitions of the artist's work in "Collection Close-Up: The Graphic Work of Dorothea Tanning," June 28 through October 19, 2019. The exhibit will include such prints and illustrated books as teh lithograph Deuxième péril from the portfoilio Les 7 périls spectraux, 1950.
The Museo Nacional Centro de Arte Reina Sofía in Madrid has published a fully illustrated catalogue in conjunction with the exhibition "Dorothea Tanning: Behind the Door, Another Invisible Door." The catalogue includes essays by exhibition curator Alyce Mahon, who gives an overview of the artist's career, and Tate curator Ann Coxon, who explores Tanning's work in light of the legacies of Surrealism and contemporary art practice. The catalogue is published in Spanish and English.
We are looking for information about a number of paintings in the effort to fully document Dorothea Tanning's work for a catalogue raisonné. If you have seen any of these paintings, please contact us.