 Birthday, 1942 MORE INFO |
 Children's Games, 1942 MORE INFO |
 Eine Kleine Nachtmusik, 1943 MORE INFO |
 Portrait of Muriel Levy, 1943 MORE INFO |
 A Mrs. Radcliffe Called Today, 1944 MORE INFO |
 Self-Portrait, 1944 MORE INFO |
 The Truth About Comets, 1945 MORE INFO |
 Guardian Angels, 1946 MORE INFO |
 Fatala, 1947 MORE INFO |
 Palaestra, 1949 MORE INFO |
 Maternity, 1947 MORE INFO |
 Max in a Blue Boat, 1947 MORE INFO |
 A Very Happy Picture, 1947 MORE INFO |
 On Time Off Time, 1948 MORE INFO |
 L'Auberge, 1949 MORE INFO |
 The Mirror, 1950 MORE INFO |
 La Rose et le Chien (The Rose and the Dog), 1952 MORE INFO |
 Lumière du foyer (Home Light), 1952 MORE INFO |
 The Philosophers, 1952 MORE INFO |
 Dimanche après-midi (Sunday Afternoon), 1953 MORE INFO |
 Intérieur (Interior), 1953 MORE INFO |
 Les Trois Garces, 1953 MORE INFO |
 Tableau vivant (Living Picture), 1954 MORE INFO |
 Katchina Coquette, 1954 MORE INFO |
 Nue endormie (Sleeping Nude), 1954 MORE INFO |
 Le Mal oublié (The Ill Forgotten), 1955 MORE INFO |
 Tempête en jaune (Tempest in Yellow), 1956 MORE INFO |
 Vorace veracité, 1956 MORE INFO |
 Midi et demi (Half Past Noon), 1957 MORE INFO |
 Insomnies (Insomnias), 1957 MORE INFO |
 Melées Nocturnes, 1958 MORE INFO |
 En Rapport, 1958 MORE INFO |
 The Moonstone Effect, 1959 MORE INFO |
 Anges mordus (Driven Angels), 1962 MORE INFO |
 Chiens de Cythère (Dogs of Cythera), 1963 MORE INFO |
 La Chienne et sa muse (The Dog and Her Muse), 1964 MORE INFO |
 Far From, 1964 MORE INFO |
 Pelote d'épingles pouvant servir de fétiche (Pincushion to Serve as Fetish), 1965 MORE INFO |
 To the Rescue, 1965 MORE INFO |
 Tirage au sort (Lottery), 1967 MORE INFO |
 L’Avant-garde (The Avant-garde), 1966 MORE INFO |
 Même les jeunes filles (Even the Young Girls), 1966 MORE INFO |
 Philosophie en plein air (Fresh-air Philosophy), 1969 MORE INFO |
 Étreinte, 1969 MORE INFO |
 Canapé en temps de pluie (Rainy-Day Canapé), 1970 MORE INFO |
 Nue couchée (Reclining Nude), 1970 MORE INFO |
 Hôtel du Pavot, Chambre 202 (Poppy Hotel, Room 202), 1973 MORE INFO |
 Reality, 1973 MORE INFO |
 Pour Gustave l'adoré, 1974 MORE INFO |
 Murmurs, 1976 MORE INFO |
 Faith, Surrounded by Hope, Charity, and Other Monsters, 1976 MORE INFO |
 Portrait de famille (Family Portrait), 1977 MORE INFO |
 Notes for an Apocalypse, 1978 MORE INFO |
 Salut, délire! (Hail, Delirium!), 1979 MORE INFO |
 Still in the Studio, 1979 MORE INFO |
 Heartless, 1980 MORE INFO |
 Pounding Strong, 1981 MORE INFO |
 Door 84, 1984 MORE INFO |
 Nude Standing Nude, 1986 MORE INFO |
 Woman Artist, Nude, Standing, 1987 MORE INFO |
 To Climb a Ladder, 1987 MORE INFO |
 On Avalon, 1987 MORE INFO |
 Zephirium apochripholiae (Windwort), 1997 MORE INFO |
 Pictor mysteriosa (Burnt Umbrage), 1997 MORE INFO |
 Convolotus alchemelia (Quiet-willow window), 1998 MORE INFO |
Women artists. There is no such thing—or person. It’s just as much a contradiction in terms as “man artist” or “elephant artist.” You may be a woman and you may be an artist; but the one is a given and the other is you.
– Dorothea Tanning, 1990
"Dorothea Tanning" is on view at Tate Modern, London. Organized in collaboration with the Museo Nacional Centro de Arte Reina Sofía in Madrid and accompanied by a full catalogue, this major survey of the artist's career will be on view through June 9. Among over 100 works featured in this exhibition is the installation piece Hôtel du Pavot, Chambre 202 (Poppy Hotel, Room 202) (1970-73).
“Monsters & Myths: Surrealism and War in the 1930s and 1940s” is on view at the Baltimore Museum of Art through May 26, and will then travel to the Frist Art Museum, Nashville, June 2 - September 29. The exhibition features the painting The Temptation of St. Anthony (1945) in an exploration of the Surrealists’ portrayals of monsters, fragmented bodies, and other depictions of the grotesque as metaphors for the destabilizing consequences of war and psychological fears and fantasies of unbridled power.
“Dimensionism: Modern Art in the Age of Einstein” is presented at the Mead Art Museum, Amherst through June 2. Organized with the Berkeley Art Museum and Pacific Film Archive, the exhibition includes the painting Midi et demi (Half Past Noon) (1956-57).
"San Diego Surreal," is on view at the Oceanside Museum of Art, San Diego, through June 16. The exhibition examines contemporary art produced in California in light of Surrealism and the recent resurgence of interest in its artistic and intellectual underpinnings. It features the lithograph Bâteau bleu (The Grotto) (1950).
“The Female Gaze: Women Surrealists in the Americas and Europe” has opening in the New York gallery of Heather James Fine Art, on view through July 31.
The Menil Collection in Houston will celebrate new acquisitions of the artist's work in "Collection Close-Up: The Graphic Work of Dorothea Tanning," June 28 through October 19. The exhibit will include such prints and illustrated books as the lithograph Deuxième péril from the portfolio Les 7 périls spectraux, 1950.
The Museo Nacional Centro de Arte Reina Sofía in Madrid has published a fully illustrated catalogue in conjunction with the exhibition "Dorothea Tanning: Behind the Door, Another Invisible Door." The catalogue includes essays by exhibition curator Alyce Mahon, who gives an overview of the artist's career, and Tate curator Ann Coxon, who explores Tanning's work in light of the legacies of Surrealism and contemporary art practice. The catalogue is published in Spanish and English.
We are looking for information about a number of paintings in the effort to fully document Dorothea Tanning's work for a catalogue raisonné. If you have seen any of these paintings, please contact us.
