In her own words...


 

Am I a surrealist?  Am I a sophist, a Buddhist, a Zoroastrian?  Am I an extremist, an alchemist, a contortionist, a mythologist, a fantasist, a humorist?  Must we artists bow our heads and accept a label, without which we do not exist?  The underlying ideas of surrealism are still very much with me.  They are in the backs of a lot of other minds too, even in those so young as to have known only the records, the hearsay, the debris.  But I have no label except artist.

– Dorothea Tanning, 1989

 

 

New On View


"International Surrealism from Tate: Fifty Years of Dreams" will be on view at the Frist Art Museum, Nashville from May 22 through August 30, 2026.  The exhibition draws from the collection of the Tate Modern in London, and includes a range of paintings, photographs, and sculptures by the hand of the movement's luminaries as well as artists whose affinities have been less widely recognized.  The installation will feature the painting Eine Kleine Nachmusik (1943), among other works.

 

"Endless Sunday: Maurizio Cattelan & The Centre Pompidou Collection" is on view at Centre Pompidou-Metz through February 2, 2027. Celebrating the site's 15th anniversary, the exhibition places pieces from the collection of the Musée National d’Art Moderne in dialogue with the work of Maurizio Cattelan. With an organizational structure based on the alphabet and references to poetry, film, and literature, the show features painting, sculpture, drawing, photography, installation, video, and film, and includes the sculpture De quel amour (By What Love) (1969).

 

New In Print


Amy Lyford's Exquisite Dreams: The Art and Life Dorothea Tanning (Reaktion Books, 2024) focuses on key examples of Tanning's work in various media from her early Surrealist imagery through her late-career paintings. By discussing them in relation to concurrent topics of 20th-century art, society, and popular culture, and highlighting the artist's own ideas about ways to view her art, including a satirical, fantasy-based, documentary-style film about her paintings, Lyford examines Tanning's singular approach to creating a rich visual experience for the viewer.

 

Victoria Carruthers' monograph Dorothea Tanning: Transformations (Lund Humphries, 2020) surveys the range and depth of the arist's work and her enduring thematic preoccupations in the context of her the artist's life and career. This essential study is extensively illustrated and features material from interviews that the author conducted with Tanning between 2000 and 2009. Carruthers discusses the book in an interview found here.

 

 

 

 

 

 

 

 

Ongoing Projects


We are looking for information about a number of paintings in the effort to fully document Dorothea Tanning's work for a catalogue raisonné. If you have seen any of these paintings, please contact us.


Concerning Wishes (1942)


Le Petit Marquis (1947)


Angel in Mauve and Orange (Study for Anges gardiens) (1947)


Les Infatigables (The Indefatigables) (1965)