In her own words...
What can I tell you, O gentle art lovers, O kindly dreamers? Is some help needed? Doesn't the paint say it all? What am I after? A long time ago I said I want to seduce by means of imperceptible passages from one reality to another. The viewer is caught in a net from which the only escape is by going through the whole picture until the exit is found. My dearest wish: to make a trap with no exit at all either for you or for me.
– Dorothea Tanning, 1986
With the re-opening of the permanent collection galleries of The Museum of Modern Art in New York, visitors can see the painting On Time Off Time (1948) on the 5th floor in room 517 devoted to "Surrealist Objects."
"Dimensionism: Modern Art in the Age of Einstein" is on view at the Zimmerli Art Museum at Rutgers University, New Brunswick, through January 5. Exploring the influence of revolutionary advances in science on modern art, the exhibition includes the painting Midi et demi (Half Past Noon) (1956-57).
“Fantastic Women” will be on view at the Schirn Kunsthalle Frankfurt from February 13 through May 24, 2020. The exhibition will present over 260 works by 35 international female artists to reveal the underrecognized breadth and depth of their contribution to Surrealism. Among the works will be the painting Voltage (1942).
Catriona McAra, University Curator at Leeds Arts University, has published "Glowing Like Phosphorus: Dorothea Tanning and the Sedona Western" in Journal of Surrealism and the Americas (10:1 , pp. 84-105). In this article, Dr. McAra examines the emergence of the Hollywood Western as a formidable pop cultural format during the 1940s-50s, and the complex role it played in the surrealist art and literature from that period. The author examines the work of Ernst and Tanning created during their time living in Sedona, Arizona, where filmmakers were also drawn to the iconic red rock landscape.
The Museo Nacional Centro de Arte Reina Sofía in Madrid has published a fully illustrated catalogue in conjunction with the exhibition "Dorothea Tanning: Behind the Door, Another Invisible Door." The catalogue includes essays by exhibition curator Alyce Mahon, who gives an overview of the artist's career, and Tate curator Ann Coxon, who explores Tanning's work in light of the legacies of Surrealism and contemporary art practice. The catalogue is published in Spanish and English.
We are looking for information about a number of paintings in the effort to fully document Dorothea Tanning's work for a catalogue raisonné. If you have seen any of these paintings, please contact us.