Angel in Mauve and Orange (Study for Anges gardiens)
Asleep in the Deep
Dorothea Tanning, Sedona, Arizona
Dorothea Tanning and Max Ernst in Sedona, Arizona
Dorothea Tanning and Max Ernst with his sculpture, Capricorn
1948
At
this
time...
January. Second exhibition at the Julien Levy Gallery in New York.
On Time Off Time
Lettre d'Amour (Love Letter)
My Favorite Dinner Party
Early Eye
Autoportrait
Toy Theater
Max Ernst and Dorothea Tanning, Sedona, Arizona
Dorothea Tanning and Max Ernst, Sedona, Arizona
Dorothea Tanning and Max Ernst, Sedona, Arizona
Dorothea Tanning
Max Ernst and Dorothea Tanning
Dorothea Tanning
1949
At
this
time...
July. Departure for Paris, France, which is still recovering from the war. Find a home of sorts: two maid’s rooms on the top floor of 13 quai St. Michel. Dorothea Tanning works at the lithograph atelier of Edmond Desjobert to produce her first album of lithographs, Les Sept Périls Spectraux (The Seven Spectral Perils).
Palaestra
Very Small Nude
Fantasy Figure
L'Auberge
Untitled (Study for Troisième péril from Les 7 périls spectraux)
On Fire
Drawing for Musical Chairs
![](/images/work_image/thumbs_small/small/Legendcover.jpg ""Legend"")
"Legend"
![](/images/work_image/thumbs_small/small/Abysscover1949.jpg ""Abyss"")
"Abyss"
1950
At
this
time...
Summer in the south of France. August at 10 rue du Bateau in Antibes. An afternoon with Picasso, Francoise Gilot and babies at Vallauris will be remembered, as of course he knew it would. October. Exhibition of lithographs at Galerie Les Pas Perdus, rue des Ciseaux, in Paris. Again for Balanchine a new ballet, The Witch, in collaboration with The Sadler’s Wells Ballet Company of London. Scenery and costumes by Dorothea Tanning, with choreography by John Cranko. Performed at Covent Garden, August 18th.
The Mirror
