1950
At
this
time...
Summer in the south of France. August at 10 rue du Bateau in Antibes. An afternoon with Picasso, Francoise Gilot and babies at Vallauris will be remembered, as of course he knew it would. October. Exhibition of lithographs at Galerie Les Pas Perdus, rue des Ciseaux, in Paris. Again for Balanchine a new ballet, The Witch, in collaboration with The Sadler’s Wells Ballet Company of London. Scenery and costumes by Dorothea Tanning, with choreography by John Cranko. Performed at Covent Garden, August 18th.
The Mirror
![](/images/work_image/thumbs_small/small/50.2.02lenef1.jpg "Illustration for "Lettre Inédite du Marquis de Sade à Madame de Sade," <i> Almanach Surr</i><i>é</i><i>aliste du Demi-Si</i><i>è</i><i>cle</i>")
Illustration for "Lettre Inédite du Marquis de Sade à Madame de Sade," Almanach Surréaliste du Demi-Siècle
High Wires
Metamorphose (Metamorphosis)
Bâteau bleu (The Grotto)
Cover for Les 7 périls spectraux
Premier péril from Les 7 périls spectraux
Deuxième péril from Les 7 périls spectraux
Troisième péril from Les 7 périls spectraux
Quatrième péril from Les 7 périls spectraux
Cinquième péril from Les 7 périls spectraux
Sixième péril from Les 7 périls spectraux
Septième péril from Les 7 périls spectraux
Dorothea Tanning, Paris
Dorothea Tanning, Paris
Set design for The Witch, a ballet by John Cranko
Castle Midnight, costume design for The Witch, a ballet by John Cranko
The Girl (before), costume design for The Witch, a ballet by John Cranko
The Girl, costume design for The Witch, a ballet by John Cranko
The Boy, costume design for The Witch, a ballet by John Cranko
The Butlers, costume design for The Witch, a ballet by John Cranko
Bat Demon, costume design for The Witch, a ballet by John Cranko
Monstre, costume design for The Witch, a ballet by John Cranko
1951
At
this
time...
Back in Sedona, Arizona. April, exhibition at American Contemporary Gallery, Hollywood. Visit of Dylan Thomas.
Interior with Sudden Joy
Musical Chairs
A Drawing for Midnight
Katchina and Her Soul
Avignon
