1971
At
this
time...
Dorothea Tanning is in her big new studio. Sculpture, painting, planning for a future that seems endless. Works in lithography with lithographer Pierre Chave of Vence.
Untitled
Studies for Hôtel du Pavot, Chambre 202
Hotel (Page 4 for the exhibition catalogue Ouvre-Toi)
Les portes de l’enfer viennent de fermer (Page 11 for the exhibition catalogue Ouvre-Toi)
The Maid Is Late Because She Laid Her Mate
Untitled from Ouvre-Toi
Dorothea Tanning, Paris
Untitled (Frieze)
1972
At
this
time...
Paris and Seillans. Lithography with Pierre Chave. Continues cloth sculpture (until 1974). Meets Robert Ashley, avant garde composer.
High Tide
Blue Slave
Home at Last
Don Juan's Breakfast
Drawing after Xmas
Hôtel du Pavot, Chambre 202 (Poppy Hotel, Room 202)
Time and Place from Hôtel du Pavot, Chambre 202
Wall figure from Hôtel du Pavot, Chambre 202
Table Tragique (Tragic Table) from Hôtel du Pavot, Chambre 202
Révélation ou la fin du mois (Revelation or The End of the Month) from Hôtel du Pavot, Chambre 202
Wall figure from Hôtel du Pavot, Chambre 202
Les Dionysiaques (The Dionysiacs)
Quotidien (Quotidian)
Tweedy
En chair et en or
C'est au Soleil (It's in Sunshine)
Á ces rites (At these Rites)
Corps et Visage (Body and Face)
Quoi de plus (What More)
Sur le grain (Over the Grain)
